A Year On
Thursday January 25, 2018
It's been just over a year since I left New Zealand on my amazing OE. I don't think about it as much these days, nor do I dwell on what my life was like when I was in Wellington. I guess travelling for a solid six months helped me forget about routine and responsibility, which I'm super grateful for actually.
I was in New York last week for the Final Fantasy 30th Anniversary Distant Worlds concert. Still as magical as the one I saw in Montreal 2017, but more special because Nobuo Uematsu himself, the man behind all those amazing songs, was in attendance. The crowd went wild when he appeared on stage, everyone knew how big an impact he has made to the franchise, the industry and our lives. The set list was:
- Prelude
- Clash on the Big Bridge (FFV)
- Victory Theme
- Cosmo Canyon (FFVII)
- Not Alone (FFIX)
- The Oath (FFVIII)
- Flash of Steel (FFXII)
- Searching for Friends (FFVI)
- Fang's Theme (FFXIII)
- Theme of Love (FFIV)
- Apocalypsis Noctis (FFXV)
- Liberi Fatali (FFVIII)
- Opening Theme ~ Bombing Mission (FFVII)
- Somnus (FFXV)
- Heavensward (FFXIV)
- Chocobo Medley
- Hymn of the Fayth (FFX)
- To Zanarkand (FFX)
- Maria and Draco (FFVI)
- Credits
- Aeris's Theme (FFVII)
- One Winged Angel (FFVII)
The FFVI opera was epic, complete with narration of the story. The build up to that final note with all three singers resonating throughout the entire hall - absolutely fantastic. Nobuo himself joined the choir for One Winged Angel, as did the audience for the SEPHIROTH!. After the concert, I got to meet the man himself, as well as Arnie Roth, the conductor. I was so nervous. I saw there was a piano in the room and I would have loved to perform Zanarkand for the man responsible for inspiring so much of my piano playing, but I would have been mortified if I had ruined the song in front of the person who wrote it. Instead, I told him about what a beautiful piece it was, and how I learned to play it before playing Final Fantasy X. I thanked him and shook hands with him, and I will forever remember that moment I got to meet the world famous Nobuo Uematsu, composer of so many Final Fantasy songs.
Apart from the concert, I wandered around the city, admiring its busyness and charm. It's been five years since I was last in the Big Apple, and apart from all the regular touristy stuff - the Rockefeller Centre and the Nintendo store, Times Square, Central Park - I also visited the World Trade Centre Observatory, which wasn't finished in 2012, as well as the Highline. I sampled some amazing New York style cheesecake from Juniors, and some delicious pastries from Lady M at Bryant Park. I got to experience Pokemon Go in New York as well! I was actually staying in New Jersey, with an old friend from New Zealand, and to be honest, the one thing you won't get in New York is a magnificent view of Manhattan's skyline - there's a park on the east side of NJ with a beautiful view of the towers and lights of Manhattan.
Returning to Toronto was tiring, as we were delayed boarding by an hour, then sat on the tarmac for another hour as we waited for Pearson Airport to give us clearance to land. Snow had thrown the flight schedules into chaos, and it was around 11.30pm when we finally arrived back in Canada.
Posted by Jeremy at 3:52am on Thursday January 25, 2018 :: 0 comments :: 
Distant Worlds
Sunday February 12, 2017
I spent the whole day in bed because it was cold and snowing outside - which is kind of novel for me, but I was quite miserable because I couldn't really go anywhere far without feeling like I was going to die. I ventured out to get lunch and dinner, but otherwise it was a pretty boring day to spend in Montreal.
Tonight, however, was the Final Fantasy Distant Worlds concert at the Place des Arts. Final Fantasy has been one of my favourite game franchises since I played FFVII back in 1997, and since then, I've played all the ones from FFIII to FFX-2, and will probably play FFXII, FFXIII and FFXV at some point. The music has been iconic - for who can forget those emotional, pivotal moments so beautifully captured with the perfect soundtrack? There was the poignant Aeris's Theme (FFVII), played as she is killed in the Forgotten Capital, the encouraging You Are Not Alone (FFIX), played as Zidane's friends fight along side him as he battles the gauntlet of Pandemonium, and of course, To Zanarkand (FFX), the hauntingly solemn song about the journey of Tidus and Yuna. These songs carry so much nostalgia and context behind them, but their true power is the ability to confer emotion to people who have never played these games before.
Distant Worlds has been around for 10 years now, and Final Fantasy for 30 years. I have longed to see a Distant Worlds concert for ages, and the closest I got was last year in Melbourne, when Andy and I saw the New World concert. Distant Worlds is a much larger, more powerful experience, and today in Montreal, we were lucky to be joined by Susan Calloway, the voice behind many of FFXIV's vocals, as well as RIKKI, the original voice behind Suteki Da Ne (FFX). The full set list tonight was:
- Prelude
- Victory Theme
- Torn from the Heavens (FFXIV)
- Character Medley ~ Terra, Kefka, Celes, Locke (FFVI)
- Balamb Garden (FFVIII)
- Rose of May (FFIX)
- Dragonsong (FFXIV)
- Cosmo Canyon (FFVII)
- Blinded by Light (FFXIII)
- Apocalypsis Noctis (FFXV)
- Chocobo Medley
- Man with the Machine Gun (FFVIII)
- Hymn of the Fayth (FFX)
- Zanarkand (FFX)
- Jenova Complete (FFVII)
- Suteki Da Ne (FFX)
- Fighters of the Crystal (FFXI)
- Not Alone (FFIX)
- Answers (FFXIV)
- Credits
- One Winged Angel (FFVII)
I cried so hard at FFVI's Character Medley and at FFX's Zanarkand. Terra's theme has that hopeful beat, that sound of determination to overcome adversity, and Celes' theme has those beautiful notes which make up Aria di Mezzo Carattere. The choir sang Hymn of the Fayth a cappella, then immediately the musicians transitioned into Zanarkand with the first few notes on the piano - totally lost it then. That quietness of that intro mimics the part in FFX's ending where Tidus says "I'm sorry I couldn't show you Zanarkand.... goodbye", and for me, seeing Yuna fall through him was so heartbreaking. Such wonderful memories evoked by such powerful music.
Like in Melbourne, Arnie Roth, the conductor, invited the audience to join in with singing during One Winged Angel, and a chorus of 3000 strong provided a fortissimo "Sephiroth!" that bellowed throughout the auditorium. It was truly a memorable night, full of wonderful music that has stood the test of time for 30 years, and long may it continue.
Posted by Jeremy at 5:18am on Sunday February 12, 2017 :: 0 comments ::